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About the Film

Every day in cities across the country, hundreds of people are arrested for engaging in or offering consensual acts with adults.

Their crime? Trading sex for the money. They are harassed, denied housing, incarcerated, and threatened by police officers. Today sex workers are building a growing movement demanding that consensual sexual acts between adults be decriminalized. This is their story.

Today a growing movement is demanding that consensual sexual acts between adults be decriminalized, even when there is a monetary exchange. Advocates argue that this is the only way to reduce the harm experienced by people who engage in sex work by choice or circumstance – and to protect those who are coerced into it, but fear turning to the police.

“Sex Work: It’s Just a Job” shares the voices of an incredibly diverse group of sex workers discussing the ways in which they would benefit from decriminalization rather than current prohibitionist approaches including “end demand” or the “Nordic Model.”

The film tracks organizing efforts to decriminalize sex work in New York State, including the successful campaign to repeal the discriminatory “loitering for the purposes of prostitution” law, which was used primarily to criminalize trans people in low-income immigrant communities.

The film features a variety of organizing strategies including parades, mutual aid efforts, legislative lobbying, protests, and community speak outs interspersed with personal narratives from sex workers about the harms they have experienced from police and the ways in which prohibitionist approaches make them less safe. In addition, Michigan District Attorney Eli Savit and Economist Manish Shaw provide expert analysis about the harms of criminalization and the need for decriminalization.

The film was inspired by the bestselling book The End of Policing, which lays out the ways in which police have been used to harm vulnerable communities rather than provide true public safety and the many ways in which they could be replaced by less harmful intervention that center people’s well being, not violent social control.

One of the chapters looks at the issue of sex work and lays out the inherent harms of using police to criminalize sex work as well as alternative strategies such as decriminalization, harm reduction, and improving the economic security of vulnerable populations. Prof. Vitale has been involved in sex worker advocacy since the early 1990s, while working at the San Francisco Coalition on Homelessness, and is currently active in the Decrim NY coalition, working to fully decriminalize sex work in New York State.

When we allow police to regulate our sexual lives, we inflict tremendous harm on some of the most vulnerable people in our society. Young people, poor women, LGBT youth, and transgendered people who rely on the sex industry to survive and even thrive are forced by police into the shadows, leaving them vulnerable to abuse and exploitation.

Participants in the Film

POLITICIANS

Brad Hoylman

NYS Senator

Catalina Cruz

NYS Assembly

Ron Kim

NYS Assembly

Yuh-Line Niou

NYS Assembly

INTERVIEWEES

Cathy Garcia

Organizer,
Trans Immigrant Project
Make the Road NY

Cecilia Gentili

Transgender Equity Consultant & Activist

Christos Anastasopoulos

Multimedia Artist

Desiree

Home Health Aide

Eli Savit

Prosecutor,
Washtenaw County, Michigan

Fera Lorde

Organizer, Brooklyn SWOP,
Sex Workers Organizing Project

Jared Trujillo

Attorney
Law & Policy Counsel Equality New York

Jennifer Orellana

Organizer,
Trans Immigrant Project
Make the Road NY

Kei Zen

Organizer,
Co-Founder, Red Canary Song

Dr. Manisha Shah

Chancellor’s
Professor of Public Policy

Marla Cruz

Activist

Maya Morena

Organizer & Student,
Migrant Sex Workers Right’s Movement

Molly Simmons

Organizer, Brooklyn SWOP
Sex Workers Organizing Project

SX Noir

Vice President, Women of Sex Tech

Producers of the Film

Tami Kashia Gold

Producer, Director, Writer

Tami has been a multidisciplinary artist for over three decades. She produced Every Mother’s Son; Juggling Gender: Politics, Sex and Identity; Out at Work: Lesbian and Gay Men on The Job; Passionate Politics: The Life and Work Of Charlotte Bunch; RFK In The Land Of Apartheid; The Last Hunger Strike: Ireland 1981; among others. Tami’s films have screened at the New York Film Festival; Sundance; Tribeca Film Festival; Whitney; Museum of Modern Art; Chicago Institute of Art and on PBS/POV, HBO, America Reframed. She is a recipient of a Rockefeller; Guggenheim; Fulbright; NY/NJ Video Arts Fellowships; AFI Independent Filmmakers Fellowship; New York State Council for the Arts and awards from the Audience Award from Tribeca; Documentary Media Award from GLAAD; Excellence in the Arts Award from the Manhattan Borough President; Cine Golden Eagle Award; HUGO Award; Gold Plaque from the Chicago International Film Festival.

Bienvenida Matías

Producer, Co-Director, Writer

Bienvenida is a pioneering New York-raised Puerto Rican filmmaker with a long career as a producer, director, writer of independent films and for public television. Her films have screened in the US, Mexico, and have been funded by the Latino Public Broadcasting, the Jerome Foundation, St. Paul Companies: Leadership Initiative in Neighborhoods, National Endowment for the Arts, and ITVS LINCS program. Her film El Corazón de Loisaida was recognized by the New York Public Library as part of their major film preservation initiative, Twentieth Century Mirrors: America Through the Eyes of Independent Filmmakers. Matías has written essays on film, arts, and the Latinx community for diverse publications. She is a founding board member of the National Association of Latino Independent Producers and In-Progress, a St. Paul, MN, media center. Her current work-in-progress is Coquito, a meditation on Puerto Rican history via this quintessential Christmas drink.

Alex S. Vitale

Producer

Alex has written about policing and have consulted both police departments and human rights organizations internationally for over 30 years. It’s Just a Job is based on his book entitled The End of Policing. Alex Vitale is a Professor of Sociology and coordinator of the Policing and Social Justice Project at Brooklyn College. He also serves on the New York State Advisory Committee of the US Commission on Civil Rights. Vitale is the author of City of Disorder: How the Quality-of-Life Campaign Transformed New York Politics. Vitale’s academic writings on policing have appeared in Policing and Society, Police Practice and Research, Mobilization, and Contemporary Sociology. Vitale is an essayist, whose writings have appeared in the NY Daily News, NY Times, The Nation, Gotham Gazette, and The New Inquiry.

Film Credits

Producers

Tami Kashia Gold
Bienvenida Matias
Alex Vitale

Director

Tami Kashia Gold

Co-Director

Bienvenida Matias

Writers

Tami Kashia Gold
Bienvenida Matias

Consultant

J Leigh Oshiro-Brantly
Advocate, Researcher, Filmmaker

Editor

Chithra Jeyaram

Finishing Editor

Luz Marina Zamora

Assistant Editor

Tonatiuh Díaz González

Associate Producers

Jules Rico
Sylvia Scahill

Camera

Jeremy Brockman
Tami Kashia Gold
Sean Hanley
Eric Phillips-Horst
Alexander M. Ramírez-Mallis
Jules Rico
Sylvia Scahill
Jonathan Skurnik
Pam Sporn
Nick Vega

Animation

Murray Warburton

Motion Graphic Design

Suzanne Batmanghelichi

Music

Original music Megan Carnes

OBT Music
Composer Thomas Francis Martin, ASCAP
Publisher Visual Music Design, ASCAP

Composer Tom Phillips, ASCAP
Publisher Turn of the Century Music, ASCAP

RED UMBRELLA
Lyrics and sung by Kyle Guffey

Colorist

Luz Marina Zamora

Sound Edit/Mix

Grammercy Post
Allison Casey – Supervising Sound Editor
Gilda Garcia – Dialogue Editor
Joseph Webster – Sound Editor
Rachel Ruggles – Sound Editor

Translation

Desi del Valle
Gerardo Renigue
José Suarez
Blanca Vazquez

Production Assistants

Sarah Haddad
Christina Napoleone
Melinda Placide
Crystal Rand
Audrey Romjue
Kenia Tineo

Archival Photography

English Collective of Prostitutes / Crossroads AV Collective
Getty Images
Meryl Meisler COYOTE Hookers Ball Photos ©Meryl Meisler 1977
PONDS 5
Scott Heins

Archival Photography Courtesy of

Annie Sprinkle

Additional Footage Courtesy of

Kelly Anderson
Alone Geva
Music Video Artist ‘Everything’
The Young Turks TYT

Advisors

Janine N’jie David, MPP
Susan Dewey
Melissa Hope Ditmore
Ariela Moscowitz
Subadra Panchanadeswaran
Rachel Schreiber
Corey S. Shdaimah
Judith Walkowitz

Research

Pam Sporn
Sylvia Scahill

Funding

Brooklyn Arts Council

Hunter College President Fund for Faculty Advancement

Lower Manhattan Cultural Council

The NYC Women’s Fund for Media, Music and Theatre by the City of New York Mayor’s Office of Media and Entertainment in association with The New York Foundation for the Arts

New York State Council on the Arts

PSC CUNY Research Grants

The Puffin Foundation, Ltd.

Additional Funding

Lucy Atkin and Michael Conroy.
Sameh Fakhouri and Joan Glickman
Susan Fried
Nancy Meyer and Mark Weiss
Dorothy Sander
Danial and Judith Walkowitz

Special Thanks

Shannon Ahern
Charlotte Bunch
Andrea Caraballo
Roxanna Carrillo
Sarina Diaz
Sarah Diaz Zelermyer
Electronic Frontier Foundation
Bianey Garcia
Jane Gold
Mateo Guerrero-Tabares
Jim Hubbard
Peter Jackson
Keith Miller
Amilca Palmer
Gail Pheterson
The Policing and Social Justice Project
TGNCIQ Justice Project/Make the Road
Pam Sporn
Jamie Zelermyer
Karen Zelermyer

Fiscal Sponsor

Third World Newsreel

Copyright

SEX WORK It’s Just a Job

Inspired by The End of Policing by Alex S. Vitale

Tamerik Productions, LLC © 2025

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